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SFIFF 2013

05/05/2013

I just finished up a full day of screenings at the 56th annual San Francisco International Film Festival. Though the festival is now in its final days, there are plenty of films and events yet to come.

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Kabuki Cinemas Lobby

The festival is a great opportunity to catch films that might never appear in your local theater, so I usually skip anything that is on track for wide distribution. Earlier this week I caught three films that I would recommend, but to entirely different viewers.

My first film viewing was In the Fog, a WWII-era character piece about a Bellorussian man mistakenly accused of collaborating with Nazis and how that label affects not only others’ treatment of him, but his perception of himself. Atmospheric and compelling, but I also knew where it was going the whole time.

I typically seek out downbeat films at the festival, so it was nice to include a comedy this year, Key of Life, which I hear was quite popular with audiences. It’s a quirky screwball comedy that reminded me of A Taxing Woman with its cultural observations and wacky plot about a professional woman who gets involved with an amnesiac hitman and the actor who assumes the criminal’s identity. I’d recommend this film to anyone who enjoys the films of Jûzô Itami.

On the artier side was Leviathan, an often-disturbing, dialogue-free documentation of a New Bedford fishing boat’s work at sea. I felt like I was watching a David Lynch adaptation of The Perfect Storm. The audio, in particular, was an unsettling mix of clanking industrial noise and swishing, water-roars. The first twenty minutes were downright scary in tone. I knew it wasn’t actually a horror film and therefore theoretically “safe,” yet the whole thing had a Paranormal Activity-like sense of evils lurking in the darkness. (Hence the title.) On the other hand, it was also beautiful—if at times bloody, and even sad. But I highly recommend Leviathan if you think an experimental, grinding, visual-nightmare poem about fishing sounds appealing. There’s another screening on Thursday, May 9th.

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Kabuki Bar

I had nice long break between films today, which gave me a chance to write up these notes and have a cocktail at one of the Kabuki lounges. Little did I know when I ordered my drink that it would coordinate with this year’s program.

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Next up, a rundown of the films I saw today: Chaika, The Cleaner, and They’ll Come Back.

[SFIFF 56: Part II]

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From → Movies

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